51st International Congress on Arts, Music and Technology (BAMT 2025)

The 51st International Congress on Arts, Music and Technology (BAMT 2025) explores the intersection of arts, music, and technology through creative expression, immersive experiences, and innovative digital tools.

Key Topics

• Interactive performance systems influenced by audience or environment
• Fashion, wearable technology, and artistic garments
• Projection mapping and volumetric video in large-scale installations
• Curriculum development for interdisciplinary creative programs
• Robotics and automation in live performances and art installations
• Sound art, acoustic ecology, and sonification of data
• Generative art using AI for visual and literary creation
• Digital preservation and archiving of electronic artworks
• Virtual and augmented reality in museums and performances
• Neural signal control in art through brain-computer interfaces
• Sound design and composition for games and interactive media
• Blockchain and NFTs in decentralized art ownership
• Bio-sensors and alternative input devices for expression
• Ethical issues of AI-generated content and digital authorship
• Mixed reality experiences blending physical and digital art
• Algorithms for music synthesis and real-time composition
• Media arts literacy and critical engagement with technology
• Wearable tech in interactive stage performances
• Immersive soundscapes using ambisonics and spatial audio
• Gaming as an evolving narrative and artistic platform
• Digital art metadata, curation, and discoverability
• New economic models for digital creators and artists
• Holography and laser art for expressive environments
• Pedagogical innovation in teaching creative technologies
• AI-assisted tools for design and architecture
• Psychological and social commentary through digital art
• Digital equity and access in creative practices
• Legal aspects of intellectual property in digital works
• Decolonization of creative technology in global contexts

Who should Attend

• Technologists working in immersive media and AR/VR
• Educators in arts, music, and digital innovation
• Developers of digital art preservation systems
• Researchers exploring brain-computer interfaces for creativity
• Professionals in gaming, animation, and film design
• Curators of interactive and digital art exhibitions
• Creative coders and computational artists
• Music technologists and sound designers
• Architects and designers using AI-assisted tools
• Artists interested in wearable and performance tech
• Entrepreneurs in blockchain and decentralized art markets
• Scholars studying the socio-cultural impacts of technology
• Legal professionals in digital IP and copyright
• Students and graduates in media arts and technology
• Digital